In his comparison of French and English drama, Neander characterizes the best proofs of the Elizabethan playwrights. A combination of journal, fashion book, and tips for advertisers B. Eugenius says that “the moderns have profited by the rules of the ancients” but moderns have “excelled them. Neander speaks and gives his palm to the violation of three unities because it leads to the variety in English plays. Dryden emphasizes the idea of decorum in the work of art. Since nobody speaks in rhyme in real life, he supports the use of blank verse in drama and says that the use of rhyme in serious plays is justifiable in place of the blank verse. In their comedies, no doubt they introduce a few scenes of tenderness but, then, their lovers talk very little.

He also discusses the three unities, rules that require a play to take place in one place, during one day, and that it develops one single action or plot. Neander respond to the objections against rhyme by admitting that “verse so tedious” is inappropriate to drama and to anything else. Its dialogue form has often been criticized as inconclusive, but actually, as in most dialogues, there is a spokesman weightier than the others. Unknown 23 June at John Dryden use French and English Drama. Cruel actions which are likely to cause hatred, or disbelief by their impossibility, must be avoided or merely narrated.

The unity of time is often ignored in both. We see that how Dryden use the English and French Drama. They are often too bold in their metaphors and in their coinages.


An Essay of Dramatic Poesy by John Dryden: An Overview

They prefer emotions over plots. The Ancients versus Modern Playwrights beander. In the Restoration era rhymed verse or Heroic Couplet was generally used as the medium of expression for Heroic Tragedy, while the great Elizabethan dramatists had used blank verse for their plays.

essay on dramatic poesy neander defends

He considers them best over moderns and compares them with ancient master. The Essay was probably written during the plague year ofand first published in There is no poetic justice in their plays. The work is deamatic the form of semi-drama thus making abstract theories interesting.

An Essay of Dramatic Poesy Summary by John Dryden

See Dryden’s “Defense of An Essay of Dramatic Poesy”where Dryden tries to persuade the rather literal-minded Howard that audiences expect a play to be an imitation of nature, not a surrogate for nature itself. Even the Ancients did not always observe the Unity of Time.

essay on dramatic poesy neander defends

It is simply poetic prose and so fit only for comedies. The third critic speaks about the French dramatist.

An Essay of Dramatic Poesy by John Dryden: An Overview

An Essay of Dramatic Poesy deals with the views of major critics and the tastes of men and women of the time of Dryden. He also discusses the three unities, rules that require a play to take place in one place, during one day, and that it drmatic one single action or plot. How would one best describe Thomas Carlyle’s Sartor Resartus ? XII Who devote considerable attention to one single character? Athar Malik 24 April at Tanishka Jain 21 March at A continued gravity keeps the spirit too much bent; we must refresh it sometimes.


Neander 1 Fill in the blanks: Death should better be described or narrated rather than represented. In presenting his argument, Dryden takes up the subject that Philip Sidney had set forth in his Defence of Poesie in Eugenius, Crites, Lisideius and Neander d. In the very beginning, he acknowledges that the Moderns have learnt much poest the Ancients. One essayy he finds in their plots is that the regularity also makes the plays too much alike. Poets are powsy suitably honoured nor are they rewarded.

Criticism flourished in England during the restoration of Stuarts.

essay on dramatic poesy neander defends

For Neander, tragicomedy is the best form of drama. Unity of tragedy, comedy and poetry. At the end of the Essay, Dryden gives one more reason in favour of rhyme i.

Dryden use esxay critic in his Drama. Neander seems to speak for Dryden himself. Neander a spokesperson of Dryden argues that tragic comedy is the best form for a play; because it is the closest to life in which emotions are heightened by both mirth and sadness.